Käthe Kollwitz is undoubtedly one of the most important women of the modern age. Her art developed completely autonomously
and shows all signs of genius. Her language ist understood worldwide, whereas such prominent masters as Thoma and Menzel find
lasting acclaim only in Germany, or, at most, in German speaking areas. With the exception of a few works commissioned for a specific
purpose, Käthe Kollwitz' art is timeless; as Nolde would say, it is "everlasting". Even Paula Modersohn-Becker's art which is so important
for early Expressionism, does not carry the same significance nor does it have the same international profile as that of Käthe Kollwitz.
The broad spectrum of her artistic work embraces both crucial aspects of life suffering per se, poverty and death, hunger and war -
as well as the truly happy and positive sides of life. In this respect she differs from Ernst Barlach, for example.
Our exhibit clearly manifests a polarity within her work, which has seldom been recognized before. It proves that she was not driven
to her choice of subject matter by an obsession with the tragedies of life. Nor do the numerous and extraordinarily impressive
self-portraits reveal anything oppressive or self-tormenting. On the contrary, they explode with life-force, audacity and self-confidence.
And beyond this they are simply of great beauty.